Up until I was 20, I lived my life orthogonal to Dance. I didn't get it. Not only did I not dance myself, I didn't get it as an art form. Sure, my friend Jack had taken us all to see that 1985 one-off movie "White Nights"
and I thought it was kinda cool, but only kinda cool because it was so weird and different. Ballet was something I felt I should like since I was into classical music, but honestly it left me uninspired.
Then, on a whim, I took my girlfriend to see the Margaret Jenkins dance company at Purdue. Well, I was simply blown away. I thought it was amazing. It was like going to a dynamic modern art exhibit with a soundtrack. I really felt like I had never seen something that cool before.* I went on to catch every modern dance show that came through West Lafayette (there were not many).
Then, when I moved to Pittsburgh, I bought season tickets to their modern dance series downtown and I caught maybe 4 shows a year from 1993-1995. I went by myself since I didn't know anyone else who was into it. I got to see the Martha Graham Dance Company, Alvin Ailey Dance Co, and many other amazing performances. The one that really got me was Bill T Jones' Still/Here. It was the first time (and only 1 of 2 times in my entire life (the other being Nick Cave)) when I was moved to buy a commemorative T-Shirt at the venue. I still wear it occasionally with reverence to this day.**
After I left Pittsburgh, I kind of left that passion behind. Pittsburgh was also the place where I actually went out dancing with friends too (the Upstage near campus, and the Metropol downtown were the spots). Funny I never before realized that I left both dancing for fun and dancing as art behind around the same time!
Fast forward to this year when a good friend asked me to catch a dance performance that he was unable to attend. The performance was here in town and featured original but classically-inspired and informed Indian dance. The choreographer (Pallavi Nagesha) was on stage with the musicians and the solo dancer (Revati Masilamani) was simply amazing.
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Watching her precision, athleticism, grace, and physical story-telling was a real treat and brought back all that appreciation I had had for dance-as-art. It wasn't anything like what I had gone to in my youth, but dance as an embodiment of expression is universal.
Funny that a friend I have hardly ever seen since my Alabama days would recommend a dance performance in my current hometown from his current residence in Germany. Being the only white person in attendance, it brought me back to the awkward self-awareness I had in Pittsburgh when mid 20's Ken went to those performance alone as well. But, in both cases, once the dancing started, I was transported and transfixed.
You know, that friend in Germany also saw White Nights in 1985 with Jack. Life is funny with its twists and turns, isn't it?
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*I remember asking "Did you like it?" and she laughed "Yes, but not as much as you!"
** Years later, a random guy stopped me in a grocery store in Houston and pointed at the T-shirt and asked "Bill T Jones?" I smiled and agreed. He looked stunned and stood visibly struggling emotionally for a moment, then said "Very cool shirt", and walked away in a daze.